Editing Film Using Traditional Methods Bobby Bose File Editor

The traditional process of editing film has changed little over the years. Although the equipment has improved dramatically, the steps are basically the same. Following is a simplified workflow outlining the film editing process.

BOBBY BOSE The owner of NEI India. He is Film Editor with 15 yrs of Experience in Films and Television To read more about bobby bose film editor nei india film tv editing institute kindly visit http://www.neiindia.com

1. Stage 1: Shooting the Film and Recording the Sound

Audio is always recorded separately from the film, on a separate sound recorder. This is known asshooting dual system sound.While shooting the film, you need to include a way to synchronize the sound to the picture. The most common method is to use a clapper board (also called a slate or sticks) at the beginning of each take. There are a number of other methods you can use, but the general idea is to have a single cue that is both audible and visible (you can see what caused the noise).

2. Stage 2: Developing the Film

The developed film is known as the original camera negative. This negative will eventually be conformed to create the final movie and must be handled with extreme care to avoid scratching or contaminating it. Normally, the negative is used to create a workprint (film positive) and then put aside until the negative is conformed.

3. Stage 3: Creating the Workprint

The workprint is created from the original camera negative and gives you a copy of the raw film footage to use for the editing process. Because workprints are film positives, they can be projected and used as dailies, letting you view what has been shot.

Bobby Bose film Editor. Film and Television editor Mr. Bobby Bose , who is being nominated for many international To read more about bobby bose film editor nei india film tv editing institute kindly visit http://www.neiindia.com

4. Stage 4: Creating Audio Scratch Tracks

An audio scratch track is similar to the films workprintits a copy of the production audio to use while editing. Depending on the type of mechanical film editor you intend to use, you will often create an audio scratch track on magnetic film. Magnetic film, known as single stripe, three stripe, mag stock, andfullcoat, uses perforations like regular film but is coated with magnetic material. Once the magnetic film is synced with the film on the editor, both the audio scratch track and the workprint are run in tandem, maintaining their sync during editing.

5. Stage 5: Editing the Workprint

This is the point when you make decisions regarding which parts of the film footage you want to use and how you want it laid out. Editing the workprint involves physically cutting and splicing at each edit point. Changing your mind about the exact placement of a cut or trying an alternative edit is time-consuming and tends to be hard on the film.

6. Stage 6: Conforming the Negative

The negative cutter uses the edited workprint as a guide to make edits to the original camera negative. This process is called conforming. Because there is only one negative, it is crucial that no mistakes are made at this point. As opposed to the cutting and splicing methods used when working with the workprint, the cutting and splicing methods used for conforming the negative destroy frames on each end of the edit.

Film Editing Glossary by BOBBY BOSE FILM EDITOR is the son of a prominent film maker Late Dilip Bose, and is basically an editor To read more about bobby bose film editor nei india film tv editing institute kindly visit http://www.neiindia.com

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